As great Pythagoras of yore,
Standing beside the blacksmith's door,
And hearing the hammers, as they smote
The anvils with a different note,
Stole from the varying tones, that hung
Vibrant on every iron tongue,
The secret of the sounding wire.
And formed the seven-chorded lyre.
The secret studies of an author are the sunken piers upon which is to rest the bridge of his fame, spanning the dark waters of oblivion. They are out of sight, but without them no superstructure can stand secure.
Perhaps there lives some dreamy boy, untaught
In schools, some graduate of the field or street,
Who shall become a master of art,
An admiral sailing the high seas of thought
Fearless and first, and steering with his fleet
For lands not yet laid down in any chart.
So disasters come not singly; But as if they watched and waited, Scanning one another's motions, When the first descends, the others Follow, follow, gathering flock-wiseRound their victim, sick and wounded, First a shadow, then a sorrow, Till the air is dark with anguish.
Under a spreading chestnut-tree The village smithy stands; The smith, a mighty man is he, With large and sinewy hands; And the muscles of his brawny arms Are strong as iron bands.
Peace! and no longer from its brazen portals The blast of War's great organ shakes the skies! But beautiful as songs of the immortals, The holy melodies of love arise.
A coquette is a young lady of more beauty than sense, more accomplishments than learning, more charms not person than graces of mind, more admirers than friends, mole fools than wise men for attendants.
The trees are white with dust, that o'er their sleep Wave their broad curtains in the south-wind's breath, While underneath such leafy tents they keep The long, mysterious Exodus of Death.