Many critics are like woodpeckers, who, instead of enjoying the fruit and shadow of a tree, hop incessantly around the trunk, pecking holes in the bark to discover some little worm or other.
As great Pythagoras of yore,
Standing beside the blacksmith's door,
And hearing the hammers, as they smote
The anvils with a different note,
Stole from the varying tones, that hung
Vibrant on every iron tongue,
The secret of the sounding wire.
And formed the seven-chorded lyre.
The course of my long life hath reached at last in fragile bark over a tempestuous sea the common harbor, where must rendered be account for all the actions of the past.
As a fond mother, when the day is o'er, Leads by the hand her little child to bed, Half willing, half reluctant to be led, And leave his broken playthings on the floor. Still gazing at them through the open door, Nor wholly reassured and comforted By promises of others in their stead Which, the more splendid, may not please him more; So Nature deals with us, and takes away Our playthings one by one, and by the hand Leads us to rest so gently, that we go Scarce knowing if we wish to go or stay, Being too full of sleep to understand How far the unknown transcends the what we know.
The hearts of some women tremble like leaves at every breath of love which reaches them, and they are still again. Others, like the ocean, are moved only by the breath of a storm, and not so easily lulled to rest.