'Warm in December, cold in June, you say?'
I don't suppose the water's changed at all.
You and I know enough to know it's warm
Compared with cold, and cold compared with warm.
But all the fun's in how you say a thing.
Let those possess the land, and only those,
Who love it with a love so strong and stupid
That they may be abused and taken advantage of
And made fun of by business, law, and art.
The Armful For every parcel I stoop down to seize I lose some other off my arms and knees, And the whole pile is slipping, bottles, buns, Extremes too hard to comprehend at. once Yet nothing I should care to leave behind. With all I have to hold with hand and mind And heart, if need be, I will do my best. To keep their building balanced at my breast. I crouch down to prevent them as they fall; Then sit down in the middle of them all. I had to drop the armful in the road And try to stack them in a better load.
Our life runs down in sending up the clock.
The brook runs down in sending up our life.
The sun runs down in sending up the brook.
And there is something sending up the sun.
Nothing not built with hands of course is sacred.
But here is not a question of what's sacred;
Rather of what to face or run away from.
I'd hate to be a runaway from nature.
Sentences are not different enough to hold the attention unless they are dramatic. No ingenuity of varying structure will do. All that can save them is the speaking tone of voice somehow entangled in the words and fastened to the page for the ear of the imagination. That is all that can save poetry from sing-song, all that can save prose from itself.
It is absurd to think that the only way to tell if a poem is lasting is to wait and see if it lasts. The right reader of a good poem can tell the moment it strikes him that he has taken an immortal wound-that he will never get over it.
Far in the pillared dark Thrush music went- Almost like a call to come in To the dark and lament. But no, I was out for stars: I would not come in. I meant not even if asked, And I hadn't been.
GATHERING LEAVES Spades take up leaves No better than spoons, And bags full of leaves Are light as balloons. I make a great noise Of rustling all day Like rabbit and deer Running away. But the mountains I raise Elude my embrace, Flowing over my arms And into my face. I may load and unload Again and again Till I fill the whole shed, And what have I then? Next to nothing for weight, And since they grew duller From contact with earth, Next to nothing for color. Next to nothing for use. But a crop is a crop, And who's to say where The harvest shall stop?
Trust him to have his bitter politics
Against his unacquaintances the rich
Who sleep in houses of their own, though mortgaged.
Conservatives, they don't know what to save.