From scenes like these old Scotia's grandeur springs, That makes her loved at home, revered abroad: Princes and lords are but the breath of kings, "An honest man 's the noblest work of God."
Nae man can tether time or tide; The hour approachesTam maun ride; That hour, o'night's black arch the key-stane, That dreary hourTam mounts his beast in.
Even thou who mournst the daisy's fate, That fate is thine--no distant date; Stern Ruin's ploughshare drives, elate, Full on thy bloom, Till crushed beneath the furrow's weight Shall be thy doom!
Farewell, my friends! farewell, my foes! My peace with these, my love with those. The bursting tears my heart declare; Farewell, the bonnie banks of Ayr.
Apropos, is not the Scotch phrase 'Auld Lang Syne' exceedingly expressive? I shall give you the verses on the other sheet. The words of 'Auld Lang Syne' are good, but the music is an old air, the rudiments of the modern tune of that name. ... Dare to be honest and fear no labor. ... Opera is where a man gets stabbed in the back, and instead of dying, he sings. ... Chords that vibrate sweetest pleasure thrill the deepest notes of woe. ... Critics! Those cut-throat bandits in the paths of fame.
But to see her was to love her, Love but her, and love forever. Had we never lou'd sae kindly, Had we never lou'd sae blindly, Never met - or never parted - We had ne'er been broken hearted
A man's a man for a' that. . . . . A prince can mak a belted knight, A marquis, duke, and a' that; But an honest man's aboon his might, Guid faith he mauna fa' that! . . . Then let us pray that come it may, As come it will for a' that, That sense and worth, o'er a' the earth, May bear the gree and a' that. For a' that, and a' that, It's comin' yet, for a' that, When man to man, the world o'er, Shall brithers be for a' that.