Nae man can tether time or tide; The hour approachesTam maun ride; That hour, o'night's black arch the key-stane, That dreary hourTam mounts his beast in.
Not the bee upon the blossom, In the pride o' sunny noon; Not the little sporting fairy, All beneath the simmer moon; Not the poet, in the moment Fancy lightens in his e'e, Kens the pleasure, feels the rapture, That thy presence gi'es to me.
I love drinking now and then. It defecates the standing pool of thought. A man perpetually in the paroxysm and fears of inebriety is like a half-drowned stupid wretch condemned to labor unceasingly in water; but a now-and-then tribute to Bacchus is like the cold bath, bracing and invigorating.
Even thou who mournst the daisy's fate, That fate is thine--no distant date; Stern Ruin's ploughshare drives, elate, Full on thy bloom, Till crushed beneath the furrow's weight Shall be thy doom!
Apropos, is not the Scotch phrase 'Auld Lang Syne' exceedingly expressive? I shall give you the verses on the other sheet. The words of 'Auld Lang Syne' are good, but the music is an old air, the rudiments of the modern tune of that name. ... Dare to be honest and fear no labor. ... Opera is where a man gets stabbed in the back, and instead of dying, he sings. ... Chords that vibrate sweetest pleasure thrill the deepest notes of woe. ... Critics! Those cut-throat bandits in the paths of fame.
[Scottish songs] are, I own, frequently wild, & unreduceable to the more modern rules; but on that very eccentricity, perhaps, depends a great part of their effect.