[Rhyme is] but the invention of a barbarous age, to set off wretched matter and lame Meter; ... Not without cause therefore some both Italian and Spanish poets of prime note have rejected rhyme, ... as have also long since our best English tragedies, as... trivial and of no true musical delight; which [truly] consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings, a fault avoided by the learned ancients both in poetry and all good oratory.
With eyes Of conjugal attraction unreprov'd. Imparadised in one another's arms. With thee conversing I forget all time. And feel that I am happier than I know.
My mansion is, where those immortal shapes Of bright aerial spirits live insphered In regions mild of calm and serene air, Above the smoke and stir of this dim spot Which men call Earth.
But let my due feet never fail To walk the studious cloisters pale, And love the high embowed roof, With antique pillars massy proof, And storied windows richly dight; Casting a dim religious light.
And storied windows richly dight, Casting a dim religious light. There let the pealing organ blow, To the full-voiced choir below, In service high, and anthems clear As may, with sweetness, through mine ear Dissolve me into ecstasies, And bring all heaven before mine eyes.
Should God create another Eve, and I Another Rib afford, yet loss of thee Would never from my heart; no no, I feel The Link of Nature draw me: Flesh of Flesh, Bone of my Bone thou art, and from thy State Mine never shall be parted, bliss or woe.