He who freely magnifies what hath been nobly done, and fears not to declares as freely what might be done better, gives ye the best covenant of his fidelity.
A dungeon horrible, on all sides round, As one great furnace, flamed; yet from those flames No light, but rather darkness visible Serv'd only to discover sights of woe, Regions of sorrow, doleful shades, where peace And rest can never dwell, hope never comes That comes to all; but torture without end.
He scarce had ceased when the superior fiend
Was moving toward the shore; his ponderous shield
Ethereal temper, massy, large and round,
Behind him cast; the broad circumference
Hung on his shoulders like the moon, whose orb
Through optic glass the Tuscan artist views
At evening from the top of Fésolè,
Or in Valdarno, to descry new lands,
Rivers or mountains in her spotty globe.
Wherefore did Nature pour her bounties forth
With such a full and unwithdrawing hand,
Covering the earth with odours, fruits, flocks,
Thronging the seas with spawn innumerable,
But all to please and sate the curious taste?
[Rhyme is] but the invention of a barbarous age, to set off wretched matter and lame Meter; ... Not without cause therefore some both Italian and Spanish poets of prime note have rejected rhyme, ... as have also long since our best English tragedies, as... trivial and of no true musical delight; which [truly] consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings, a fault avoided by the learned ancients both in poetry and all good oratory.
In the sweat of thy face thou shalt eat bread,
Till thou return unto the ground; for thou
Out of the ground wast taken; know thy birth,
For dust thou art, and shalt to dust return.