[Rhyme is] but the invention of a barbarous age, to set off wretched matter and lame Meter; ... Not without cause therefore some both Italian and Spanish poets of prime note have rejected rhyme, ... as have also long since our best English tragedies, as... trivial and of no true musical delight; which [truly] consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings, a fault avoided by the learned ancients both in poetry and all good oratory.
Me miserable! Which way shall I fly
Infinite wrath and infinite despair?
Which way I fly is hell; myself am hell;
And in the lowest deep a lower deep,
Still threat'ning to devour me, opens wide,
To which the hell I suffer seems a heaven.
Iris all hues, roses, and jessamine Reared high their flourished heads between, and wrought Mosaic; underfoot the violet, Crocus, and hyacinth with rich inlay Broidered the ground, more coloured than with stone Of costliest emblem: other creature here Beast, bird, insect, or worm durst enter none; Such was their awe of man.
Some say no evil thing that walks by night, In fog or fire, by lake or moorish fen, Blue meagre hag, or stubborn unlaid ghost That breaks his magic chains at curfew time, No goblin, or swart fairy of the mine, Hath hurtful power o'er true virginity.
O why did God, Creator wise, that peopled highest heav'n With Spirits masculine, create at last This novelty on earth, this fair defect Of nature, and not fill the world at once With men as angels without feminine, Or find some other way to generate Mankind?
We shall sooner have the fowl by hatching the egg than by smashing it.
Abraham Lincoln, White House speech 11 April 1865.
Or arm th' obdured breast
With stubborn patience as with triple steel.