Heartbreak can definitely give you a deeper sensibility for writing songs. I drew on a lot of heartbreak when I was writing my first album, I didn't mean to but I just did.
I write for no other purpose than to add to the beauty that now belongs to me. I write a book for no other reason than to add three or four hundred acres to my magnificent estate.
The historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of literature from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order.
Of all my films, people wrote to me most about this one... ...I had wanted to make The Idiot long before Rashomon. Since I was little I've liked Russian literature, but I find that I like Dostoevsky the best and had long thought that this book would make a wonderful film. He is still my favourite author, and he is the one - I still think - who writes most honestly about human existence.
Talent alone cannot make a writer. There must be a man behind the book; a personality which, by birth and quality, is pledged to the doctrines there set forth, and which exists to see and state things so, and not otherwise.
The epitaph that I would write for history would say: I conceal nothing. It is not enough not to lie. One should strive not to lie in a negative sense by remaining silent.
Writing has been an important exercise to clarify what I believe, what I see, what I care about, what my deepest values are. The process of converting a jumble of thoughts into coherent sentences makes you ask tougher questions.
I don't want to take up literature in a money-making spirit, or be very anxious about making large profits, but selling it at a loss is another thing altogether, and an amusement I cannot well afford.