Making music clips, I have a responsibility to depict the artist in a way that suits them, and feels comfortable with how they want to present their music. From there I usually try to tell a story visually that complements the music, that lets the music be the hero element of the project. I just try to do something that feels sincere and creative and a little bit home-brewed so it doesn't feel too plastic or phony.
By "trampling upon the helpless abroad" with unchecked surveillance, Americans have learned, "by a natural process, to endure with apathy the like at home."
I have dwelt ever in realms apart from the visible world; spending my youth and adolescence in ancient and little-known books, and in roaming the fields and groves of the region near my ancestral home. I do not think that what I read in these books or saw in these fields and groves was exactly what other boys read and saw there; but of this I must say little, since detailed speech would but confirm those cruel slanders upon my intellect which I sometimes overhear from the whispers of the stealthy attendants around me.
I've never been very fully employed either but just think of what it's like, you know, to go home with a mortgage payment you know and kids and everything else. My dad had that happen to him in the early '30s.
But it is at home and not in public that one should wash ones dirty linen.
[Fr., Car c'est en famille, ce n'est pas en public, qu'un lave son linge sale.]
You always have good shows and bad shows. People want a certain amount of each. It's just widening the market a little bit. The involvement of people at home is just broadening things.
Best masters for the young writer and speaker are the fault- finding brothers and sisters at home who will not spare him, but willpick and cavil, and tell the odious truth.