As a rule, with me an unfinished [idea] is a thing that might as well be rubbed out. It's better, if there's something good in it that I might make use of elsewhere, to leave it at the back of my mind than on paper in a drawer. If I leave it in a drawer it remains the same thing but if it's in the memory it becomes transformed into something else.
People make suggestions on what to say all the time. I'll give you an example; I don't read what's handed to me. People say ''Here, here's your speech, or here's an idea for a speech.'' They're changed. Trust me.
Does there exist an Infinity outside ourselves? Is that infinity One, immanent and permanent, necessarily having substance, since He is infinite and if He lacked matter He would be limited, necessarily possessing intelligence since He is infinite and, lacking intelligence, He would be in that sense finite. Does this Infinity inspire in us the idea of essense, while to ourselves we can only attribute the idea of existence? In order words, is He not the whole of which we are but the part?
For the current of our spiritual life creeds, rituals and channels that may thwart or help, according to their fixity or openness. When a symbol or spiritual idea becomes rigidly elaborate in its construction, it supplants the idea which it should support.
There is a spirit in all music, the spirit has the ability to conjure up thoughts even pictures of something that happened or you wished would happen or you anticipate happening. Music has the ability to create ideas in you and me. It has the ability to encourage us to be creative.
The idea of the Universe being ruled by that marvelous old gentleman, is no longer plausible. It isn't that anybody has disproved it, but it just somehow doesn't go with the vast infinitude of the Universe.
When I start on a film I always have a number of ideas about my project. Then one of them begins to germinate, to sprout, and it is this, which I take and work with. My films come from my need to say a particular thing at a particular time. The beginning of any film for me is this need to express something. It is to make it nurture and grow that I write my script- it is directing it that makes my tree blossom and bear fruit.
We but half express ourselves, and are ashamed of that divine idea which each of us represents. It may be safely trusted as proportionate and of good issues, so it be faithfully imparted, but God will not have his work made manifest by cowards.
It is more than probable that I am not understood; but I fear, indeed, that it is in no manner possible to convey to the mind of the merely general reader, an adequate idea of that nervous intensity of interest with which, in my case, the powers of meditation (not to speak technically) busied and buried themselves, in the contemplation of even the most ordinary objects of the universe.
Renunciation is the background of all religious thought wherever it be, and you will always find that as this idea of renunciation lessens, the more will the senses creep into the field of religion, and spirituality will decrease in the same ratio.
You and I and everything in the universe are that Absolute, not parts, but the whole. You are the whole of that Absolute, and so are all others, because the idea of part cannot come into it.
We must become free. We are free; the work is to know it. We must give up all slavery, all bondage of whatever kind. We must not only give up our bondage to earth and everything and everybody on earth, but also to all ideas of heaven and happiness.
All this marked them as vaguely liberal, although their ideas would never congeal into anything like a firm ideology; in this, too, they were American.