What the world wants, what the world is waiting for, is not Modern Poetry or Classical Poetry or Neo-Classical Poetry - but Good Poetry. And the dreadful disreputable doubt, which stirs in my own skeptical mind, is doubt about whether it would really matter much what style a poet chose to write in, in any period, as long as he wrote Good poetry.
But perhaps God is strong enough to exult in monotony. It is possible that God says every morning, "Do it again" to the sun.; and every evening, "Do it again" to the moon. It may not be automatic monotony that makes all daisies alike; it may be that God makes every daisy separately, but has never gotten tired of making them. It may be that He has the eternal appetite of infancy; for we have sinned and grown old, and our Father is younger than we.
A man making the confession of any creed worth ten minutes' intelligent talk, is always a man who gains something and gives up something. So long as he does both he can create: for he is making an outline and a shape.
It seems to me,' said the other, 'That you are simply seeking a pretext to insult the Marquis.' By George!' said Syme facing round and looking at him, 'What a clever chap you are!
The word 'good' has many meanings. For example, if a man were to shoot his grandmother at a range of five hundred yards, I should call him a good shot, but not necessarily a good man.
Blasphemy is an artistic effect, because blasphemy depends upon a philosophical conviction. Blasphemy depends upon belief and is fading with it. If any one doubts this, let him sit down seriously and try to think blasphemous thoughts about Thor.
Indeed the Book of Job avowedly only answers mystery with mystery. Job is comforted with riddles; but he is comforted. Herein is indeed a type, in the sense of a prophecy, of things speaking with authority. For when he who doubts can only say, ‘I do not understand,’ it is true that he who knows can only reply or repeat ‘You do not understand.’ And under that rebuke there is always a sudden hope in the heart; and the sense of something that would be worth understanding.
What are we going to do?" asked the Professor. "At this moment," said Syme, with a scientific detachment, "I think we are going to smash into a lamppost.
The real trouble with this world of ours is not that it is an unreasonable world, nor even that it is a reasonable one. The commonest kind of trouble is that it is nearly reasonable, but not quite. ... It looks just a little more mathematical and regular than it is; its exactitude is obvious, but its inexactitude is hidden; its wilderness lies in wait.