One of the surest tests of the superiority or inferiority of a poet is the way in which a poet borrows. Immature poets imitate mature poets steal bad poets deface what they take and good poets make it into something better or at least something different. The good poet welds his theft into a whole of feeling which is unique utterly different than that from which it is torn the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time or alien in language or diverse in interest.
Not only every great poet, but every genuine, but lesser poet, fulfils once for all some possibility of language, and so leaves one possibility less for his successors.
But it seems that something has happened that has never happened before; though we know not just when, or why, or how, or where. Men have left God not for gods, they say, but for no gods; and this has never happened before. That men both deny gods and worship gods, professing first Reason, and the money, and power, and what they call life, or race, or dialect.The church disowned, the tower overthrown, the bells upturned, what have we to do but stand with empty hands and palms upturned in an age which advances progressively backwards?
When the Stranger says: "What is the meaning of this city? Do you huddle close together because you love each other?" What will you answer? "We all dwell together To make money from each other"? or "This is a community"? Oh my soul, be prepared for the coming of the Stranger. Be prepared for him who knows how to ask questions.