The myriad-minded man, our, and all men's, Shakespeare, has in this piece presented us with a legitimate farce in exactest consonance with the philosophical principles and character of farce, as distinguished from comedy and from entertainments. A proper farce is mainly distinguished from comedy by the licence allowed, and even required, in the fable, in order to produce strange and laughable situations. The story need not be probable, it is enough that it is possible.
The annals of the French Revolution prove that the knowledge of the few cannot counteract the ignorance of the many.... The light of philosophy, when it is confined to a small minority, points out the possessors as the victims rather than the illuminators of the multitude.
For I often please myself with the fancy, now that I may have saved from oblivion the only striking passage in a whole volume, and now that I may have attracted notice to a writer undeservedly forgotten.
Look through the whole history of countries professing the Romish religion, and you will uniformly find the leaven of this besetting and accursed principle of action - that the end will sanction any means.
The misery of human life is made up of large masses, each separated from the other by certain intervals. One year the death of a child; years after, a failure in trade; after another longer or shorter interval, a daughter may have married unhappily; in all but the singularly unfortunate, the integral parts that compose the sum-total of the unhappiness of a man's life are easily counted and distinctly remembered.
Not the poem which we have read , but that to which we return , with the greatest pleasure, possesses the genuine power, and claims the name of essential poetry .
The Beautiful arises from the perceived harmony of an object, whether sight or sound, with the inborn and constitutive rules of the judgment and imagination: and it is always intuitive.