In this world, which is so plainly the antechamber of another, there are no happy men. The true division of humanity is between those who live in light and those who live in darkness. Our aim must be to diminish the number of the latter and increase the number of the former. That is why we demand education and knowledge.
They adored each other; but still the permanent and the immutable subsist. We may love and laugh, pout, clasp hands, smile, and exchange endearments, but that does not affect eternity. Two lovers hide in the dusk of evening, amid flowers and the twittering of birds, and enchant each other with their hearts shinning in their eyes; but the stars in their course still circle through infinite space.
I wanted to see you again, touch you, know who you were, see if I would find you identical with the ideal image of you which had remained with me and perhaps shatter my dream with the aid of reality. -Claude Frollo
To rescue from oblivion even a fragment of a language which men have used and which is in danger of being lost -that is to say, one of the elements, whether good or bad, which have shaped and complicated civilization -is to extend the scope of social observation and to serve civilization.
We may remark in passing that to be blind and beloved may, in this world where nothing is perfect, be among the most strangely exquisite forms of happiness. The supreme happiness in life is the assurance of being loved; of being loved for oneself, even in spite of oneself; and this assurance the blind man possesses. In his affliction, to be served is to be caressed. Does he lack anything? no. Possessing love he is not deprived of light. A love, moreover, that is wholly pure. There can be no blindness where there is this certainty.
The transept belfry and the two towers were to him three great cages, the birds in which, taught by him, would sing for him alone. Yet it was these same bells which had made him deaf; but mothers are often fondest of the child who has made them suffer most.
As for the author, he is profoundly unaware of what the classical or romantic genre might consist of.... In literature, as in allthings, there is only the good and the bad, the beautiful and the ugly, the true and the false.
There is will in the thought, there is none in the dream. The dream, which is completely spontaneous, takes and keeps, even in the gigantic and the ideal, the form of our mind. Nothing springs more directly and more sincerely from the very bottom of our souls than our unreflected and indefinite aspirations towards the splendours of destiny.