Passions are no more forgiving than human laws and they reason more justly. Are they not based on a conscience of their own, infallible as an instinct?
[Raphael's] great superiority is due to the instinctive sense which, in him, seems to desire to shatter form. Form is, in his figures, what it is in ourselves, an interpreter for the communication of ideas and sensations, an exhaustless source of poetic inspiration. Every figure is a world in itself, a portrait of which the original appeared in a sublime vision, in a flood of light, pointed to by an inward voice, laid bare by a divine finger which showed what the sources of expression had been in the whole past life of the subject.
All genuinely noble women prefer truth to falsehood. As the Russians with their Czar, they are unwilling to see their idol degraded; they want to be proud of the domination they accept.
Many of us marvel at the icy insensitivity with which women snuff out their armours. But if they did not blot out the past in this manner, life for them would lose all dignity and they could never resist the fatal familiarities to which they once submitted.
A country is strong which consists of wealthy families, every member of whom is interested in defending a common treasure; it is weak when composed of scattered individuals, to whom it matters little whether they obey seven or one, a Russian or a Corsican, so long as each keeps his own plot of land, blind in their wretched egotism, to the fact that the day is coming when this too will be torn from them.
If certain women walk straight into adultery, there are many others who cling to numerous hopes, and commit sin only after wandering through a maze of sorrows.
The secret of the nobility and beauty of great ladies lies in the art with which they can shed their veils. In such situations, they become like ancient statues. If they kept the merest scarf on, they would be lewd. Your bourgeois woman will always try to cover her nakedness.