Tom's great yellow bronze mask all draped upon an iron framework. An inhibited, nerve-drawn; dropped face - as if hung on a scaffold of heavy private brooding; and thought.
Green in nature is one thing, green in literature another. Nature and letters seem to have a natural antipathy; bring them together and they tear each other to pieces.
For once the disease of reading has laid upon the system it weakens so that it falls an easy prey to that other scourge which dwells in the ink pot and festers in the quill. The wretch takes to writing.
For love... has two faces; one white, the other black; two bodies; one smooth, the other hairy. It has two hands, two feet, two tails, two, indeed, of every member and each one is the exact opposite of the other. Yet, so strictly are they joined together
Old Madame du Deffand and her friends talked for fifty years without stopping. And of it all, what remains? Perhaps three witty sayings. So that we are at liberty to suppose either that nothing was said, or that nothing witty was said, or that the fraction of three witty sayings lasted eighteen thousand two hundred and fifty nights, which does not leave a liberal allowance of wit for any one of them.
For this is the truth about our soul, he thought, who fish-like inhabits deep seas and plies among obscurities threading her way between the boles of giant weeds, over sun-flickered spaces and on and on into gloom, cold, deep, inscrutable; suddenly she shoots to the surface and sports on the wind-wrinkled waves; that is, has a positive need to brush, scrape, kindle herself, gossiping.
I remember I would not stand still; I would not stop being perplexed by everything that spontaneously attracted me or caught my attention. I would never cease to look around me and observe myself in relation to nature: either crystal clear skies and sun-melting afternoons, or foggy winter days and weirdly tinted nights. I would never cease to dream and stand by the window, ready to let the diversity of life pass freely through my skin; courageous enough to believe I stood a chance in devouring each shade of sensation. Or perhaps, immensely foolish to plainly - believe at all.
A very elementary exercise in psychology, not to be dignified by the name of psycho-analysis, showed me, on looking at my notebook, that the sketch of the angry professor had been made in anger. Anger had snatched my pencil while I dreamt. But what was anger doing there? Interest, confusion, amusement, boredom--all these emotions I could trace and name as they succeeded each other throughout the morning. Had anger, the black snake, been lurking among them? Yes, said the sketch, anger had.