No generation is interested in art in quite the same way as any other; each generation, like each individual, brings to the contemplation of art its own categories of appreciation, makes its own demands upon art, and has its own uses for art.
The business of art is to enlarge and correct the heart and to lift our ideals out of the ugly and the mean through love of the ideal. The business of art is to appeal to the soul.
Our nada who art in nada, nada be thy name thy kingdom nada thy will be nada in nada as it is in nada. Give us this nada our daily nada and nada us our nada as we nada our nadas and nada us not into nada but deliver us from nada; pues nada. Hail nothing full of nothing, nothing is with thee.
In life courtesy and self-possession, and in the arts style, are the sensible impressions of the free mind, for both arise out of a deliberate shaping of all things and from never being swept away, whatever the emotion into confusion or dullness.
The duty of rhetoric is to deal with such matters as we deliberate upon without arts or systems to guide us, in the hearing of persons who cannot take in at a glance a complicated argument or follow a long chain of reasoning.
Love is not only a feeling, it is also an art. A simple word, a sensitive precaution, a mere nothing reveal to a woman the sublime artist who can touch her heart without withering it.
In the world's history certain inventions and discoveries occurred, of peculiar value, on account of their great efficiency in facilitating all other inventions and discoveries. Of these were the art of writing and of printing - the discovery of America, and the introduction of Patent-laws. The date of the first ... is unknown; but it certainly was as much as fifteen hundred years before the Christian era; the second-printing-came in 1436, or nearly three thousand years after the first. The others followed more rapidly - the discovery of America in 1492, and the first patent laws in 1624.
One of the surest tests of the superiority or inferiority of a poet is the way in which a poet borrows. Immature poets imitate mature poets steal bad poets deface what they take and good poets make it into something better or at least something different. The good poet welds his theft into a whole of feeling which is unique utterly different than that from which it is torn the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time or alien in language or diverse in interest.
Fighting with a large army under your command is nowise different from fighting with a small one: it is merely a question of instituting signs and signals.