The Internet really does create this dimension around the music that's always in relation to what else is happening at the moment. But all you can do is ignore the annoying hum of the machine and focus on making art that makes you excited to be alive.
Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things.
If asked how to cope with a great host of the enemy in orderly array and on the point of marching to the attack, I should say: "Begin by seizing something which your opponent holds dear; then he will be amenable to your will." Rapidity is the essence of war: take advantage of the enemy's unreadiness, make your way by unexpected routes, and attack unguarded spots.
One should aim, seriously, at disregarding ups and downs; a compliment here, silence there ... the central fact remains stable, which is the fact of my own pleasure in the art.
The Byzantines hammered away at their hard and orthodox symbols, because they could not be in a mood to believe that men could take a hint. The moderns drag out into lengths and reels of extravagance their new orthodoxy of being unorthodox, because they also cannot give a hint -- or take a hint. Yet all perfect and well-poised art is really a hint.
Art forms that appeal to [leftists] tend to focus on ... defeat and despair ... as if there were no hope of accomplishing anything through rational calculation.
All warfare is based on deception. Hence, when able to attack, we must seem unable; when using our forces, we must seem inactive; when we are near, we must make the enemy believe we are far away; when far away, we must make him believe we are near.