The mystical life is the centre of all that I do and all that I think and all that I write. . . . I have always considered myself a voice of what I believe to be a greater renaissance - the revolt of the soul against the intellect.
I can forgive even that wrong of wrongs,
Those undreamt accidents that have made me
Seeing that Fame has perished this long while,
Being but a part of ancient ceremony
Notorious, till all my priceless things
Are but a post the passing dogs defile.
When we are high and airy hundreds say
That if we hold that flight they'll leave the place,
While those same hundreds mock another day
Because we have made our art of common things.
Swift has sailed into his rest; Savage indignation there Cannot lacerate his breast Imitate him if you dare, World-besotted traveler; he Served human liberty.
Nor seek, for this is also sooth,
To hunger fiercely after truth,
Lest all thy toiling only breeds
New dreams, new dreams; there is no truth
Saving in thine own heart.
Heaven blazing into the head: Tragedy wrought to its uttermost. Though Hamlet rambles and Lear rages And all the drop-scenes drop at once Upon a hundred thousand stages It cannot grow by an inch or an ounce.
Although our love is waning, let us stand by the lone border of the lake once more, together in that hour of gentleness. When the poor tired child, passion, falls asleep.
Speech after long silence; it is right, All other lovers being estranged or dead . . . That we descant and yet again descant Upon the supreme theme of Art and Song: Bodily decrepitude is wisdom; young We loved each other and were ignorant.
For the good are always the merry, / Save by an evil chance,/ And the merry love the fiddle,/ And the merry love to dance: / And when the folk there spy me,/ They will all come up to me, / With,”Here is the fiddler of Dooney!” / And dance like a wave of the sea.