That grand drama in a hundred acts, which is reserved for the next two centuries of Europe-the most terrible, most questionable and perhaps also the most hopeful of all dramas.
For a significant man
woman, the one thought he values greatly, to the laughter and scorn of insignificant men, is a key to hidden treasure chambers; for those others, it is nothing but a piece of old iron.
Let us guard against saying that there are laws in nature. There are merely necessities: there is no one who commands, no one whoobeys, no one who transgresses. Once you understand that there are no purposes, then you also understand that nothing is accidental: for it is only in a world of purposes that the word "accident" makes sense.
How is freedom measured, in individuals as in nations? By the resistance which has to be overcome, by the effort it costs to stay aloft. One would have to seek the highest type of free man where the greatest resistance is constantly being overcome: five steps from tyranny, near the threshold of the danger of servitude.
Whenever the truth is uncovered, the artist will always cling with rapt gaze to what still remains covering even after such uncovering; but the theoretical man enjoys and finds satisfaction in the discarded covering and finds the highest object of his pleasure in the process of an ever happy uncovering that succeeds through his own efforts.
There are expressions and bulls-eyes of the spirit, there are epigrams, a little handful of words, in which a whole culture, a whole society is suddenly crystallized.
I condemn Christianity; I bring against the Christian Church the most terrible of all accusations that an accuser has ever had in his mouth. It is, to me, the greatest of all imaginable corruptions; it seeks to work the ultimate corruption, the worse possible corruption. The Christian Church has left nothing untouched by its depravity; it has turned every value into worthlessness, and every truth into a lie, and every integrity into baseness of soul.
There exists no more repulsive and desolate creature in the world than the man who has evaded his genius and who now looks furtively to left and right, behind him and all about him. ... He is wholly exterior, without kernel, a tattered, painted bag of clothes.
This sign I give you: every people speaks its tongue of good and evil, which the neighbor does not understand. It has invented its own language of customs and rights.
[Heraclitus had] the highest form of pride [stemming] from a certainty of belief in the truth as grasped by himself alone. He brings this form, by its excessive development, into a sublime pathos by involuntary identification of himself with his truth.
Those moralists, on the other hand, who, following in the footsteps of Socrates, offer the individual a morality of self-control and temperance as a means to his own advantage, as his personal key to happiness, are the exceptions.