The good parts of a book may be only something a writer is lucky enough to overhear or it may be the wreck of his whole damn life - and one is as good as another.
During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was - but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit.
I once jokingly told someone that every book is like a relationship. They're four or five years long - that's not so bad. They're serious. They demand a lot of attention. But I remember thinking that I wanted to have one with someone who's not so crazy and peculiar and demanding.
How do you tell a valuable French book?' 'First there are the pictures. Then it is a question of the quality of the pictures. Then it is the binding. If a book is good, the owner will have it bound properly. All books in English are bound, but bound badly. There is no way of judging them.
It seems to me that to take a book of mine into his hands is one of the rarest distinctions that anyone can confer upon himself. I even assume that he removes his shoes when he does so-not to speak of boots.
I have known men to hazard their fortunes, go long journeys halfway about the world, forget friendships, even lie, cheat, and steal, all for the gain of a book.
O, let my books be then the eloquence
And dumb presagers of my speaking breast,
Who plead for love, and look for recompense,
More than that tongue that more hath more expressed.
I started writing as a child. But I didn't think of myself, actually writing until I was in college. And I had gone to Africa as a sophomore or something, no maybe junior and wrote a book of poems. And that was my beginning. I published that book.
Holding this book in your hand, sinking back in your soft armchair, you will say to yourself: perhaps it will amuse me. And after you have read this story of great misfortunes, you will no doubt dine well, blaming the author for your own insensitivity, accusing him of wild exaggeration and flights of fancy. But rest assured: this tragedy is not a fiction. All is true.
Most of the classical citations you shall hear or read in the current journals or speeches were not drawn from the originals, but from previous quotations in English books.
When I was 40, I wrote my first book, The Pilgrimage, and I said to myself, "why did it take so long for me to write this book?" Because my dream, since I was 10 years old, was to be a writer. I said, I have to revisit my life using a metaphor, and the metaphor was basically this boy that has a dream and has to go far away to realize that his dream is close to him.
This is the first teaching of the Knights: You will erase everything you had written in the book of your life up until now: restlessness, uncertainty, lies. And in the place of all this you will write the word courage.
If only I could manage, without annoyance to my family, to get imprisoned for 10 years, "without hard labour," and with the use of books and writing materials, it would be simply delightful!