For even satire is a form of sympathy. It is the way our sympathy flows and recoils that really determines our lives. And here lies the vast importance of the novel, properly handled. It can inform and lead into new places our sympathy away in recoil from things gone dead. Therefore the novel, properly handled, can reveal the most secret places of life: for it is the passional secret places of life, above all, that the tide of sensitive awareness needs to ebb and flow, cleansing and freshening.
Curse the blasted, jelly-boned swines, the slimy, the belly-wriggling invertebrates, the miserable soddingrotters, the flaming sods, the sniveling, dribbling, dithering, palsied, pulse-less lot that make up England today. They've got white of egg in their veins, and their spunk is that watery it's a marvel they can breed.
Plant consciousness, insect consciousness, fish consciousness, all are related by one permanent element, which we may call the religious element inherent in all life, even in a flea: the sense of wonder. That is our sixth sense, and it is the natural religious sense.
I believe that there was a great age, a great epoch when man did not make war: previous to 2000 B.C. Then the self had not reallybecome aware of itself, it had not separated itself off, the spirit was not yet born, so there was no internal conflict, and hence no permanent external conflict.
What is the knocking? What is the knocking at the door in the night? It is somebody who wants to do us harm. No, no, it is the three strange angels. Admit them, admit them.
Whatever life may be, and whatever horror men have made of it, the world is a lovely place, a magic place, something to marvel over. The world is an amazing place.
The true unconscious is the well-head, the fountain of real motivity. The sex of which Adam and Eve became conscious derived fromthe very God who bade them be not conscious of it.
I wonder which was more frightened among old tribes -- those bursting out of their darkness of woods upon all the space of light, or those from the open tiptoeing into the forests.
California is a queer place in a way, it has turned its back on the world, and looks into the void Pacific. It is absolutely selfish, very empty, but not false, and at least, not full of false effort.
Oh, what a catastrophe for man when he cut himself off from the rhythm of the year, from his unison with the sun and the earth. Oh, what a catastrophe, what a maiming of love when it was a personal, merely personal feeling, taken away from the rising and the setting of the sun, and cut off from the magic connection of the solstice and the equinox!
The Moon is a white strange world, great, white, soft-seeming globe in the night sky, and what she actually communicates to me across space I shall never fully know. But the Moon that pulls the tides, and the Moon that controls the menstrual periods of women, and the Moon that touches the lunatics, she is not the mere dead lump of the astronomist. . . . When we describe the Moon as dead, we are describing the deadness in ourselves. When we find space so hideously void, we are describing our own unbearable emptiness.