Love liberates. Love - not sentimentality, not mush - but true love gives you enough courage that you can say to somebody, "Don't do that, baby." And the person will know you're not preaching but teaching.
I try to live what I consider a "poetic existence." That means I take responsibility for the air I breathe and the space I take up. I try to be immediate, to be totally present for all my work.
It is very dangerous to make a person larger than life because, then, young men and women are tempted to believe, well, if he was that great, he's inaccessible, and I can never try to be that or emulate that or achieve that.
Of course, there are those critics - New York critics as a rule - who say, 'Well, Maya Angelou has a new book out and of course it's good but then she's a natural writer.' Those are the ones I want to grab by the throat and wrestle to the floor because it takes me forever to get it to sing. I work at the language.
Creativity or talent, like electricity, is something I don’t understand but something I’m able to harness and use. While electricity remains a mystery, I know I can plug into it and light up a cathedral or a synagogue or an operating room and use it to help save a life. Or I can use it to electrocute someone. Like electricity, creativity makes no judgment. I can use it productively or destructively. The important thing is to use it. You can’t use up creativity. The more you use it, the more you have.
Like a pianist runs her fingers over the keys, I'll search my mind for what to say. Now, the poem may want you to write it. And then sometimes you see a situation and think, 'I'd like to write about that.' Those are two different ways of being approached by a poem, or approaching a poem.
You may encounter many defeats, but you must not be defeated. In fact, the encountering may be the very experience which creates the vitality and the power to endure.
We may encounter many defeats, but we must not be defeated. It may even be necessary to encounter the defeat so that we can know who we are. So that we can see, "Oh, that happened, and I rose. I did get knocked down flat in front of the whole world, and I rose. I didn't run away; I rose right where I'd been knocked down." That's how you get to know yourself.
Since time is the one immaterial object which we cannot influence neither speed up nor slow down add to nor diminish it is an imponderably valuable gift.