I would be a liar, a hypocrite, or a fool - and I'm not any of those - to say that I don't write for the reader. I do. But for the reader who hears, who really will work at it, going behind what I seem to say. So I write for myself and that reader who will pay the dues.
I believe what I have to say is important, and I believe the people coming to hear me are important, and so the occasion of itself alone has an importance, which forces me to stare down my nerves.
I agree with Balzac and 19th-century writers, black and white, who say, 'I write for money.' Yes, I think everybody should be paid handsomely; I insist on it, and I pay people who work for me, or with me, handsomely.
For a person who grew up in the '30s and '40s in the segregated South, with so many doors closed without explanation to me, libraries and books said, 'Here I am, read me.' Over time I have learned I am at my best around books.
If I wanted to write, I had to be willing to develop a kind of concentration found mostly in people awaiting execution. I had to learn technique and surrender my ignorance.
You may be pretty or plain, heavy or thin, gay or straight, poor or rich. But remember this: In an election, every voice is equally powerful -- don't underestimate your vote. Voting is the great equalizer.
When you know you are of worth, you don't have to raise your voice, you don't have to become rude, you don't have to become vulgar; you just are. And you are like the sky is, as the air is, the same way water is wet. It doesn't have to protest.
The white American man makes the white American woman maybe not superfluous but just a little kind of decoration. Not really important to turning around the wheels of the state. Well the black American woman has never been able to feel that way. No black American man at any time in our history in the United States has been able to feel that he didn't need that black woman right against him, shoulder to shoulder-in that cotton field, on the auction block, in the ghetto, wherever.
The nice thing about HOPE is that you can give it to someone else, someone who needs it even more than you do, and you will find you have not given yours away at all.
When younger writers and poets, musicians and painters are weakened by a stemming of funds, they come to me saddened, not as full of dreams and excitement and ideas. I am then weakened and diminished, and made less rich.
I am never proud to participate in violence, yet I know that each of us must care enough for ourselves that we can be ready and able to come to our own defence when and wherever needed.