Being an African filmmaker, Africa is what's important for me. If I were to shot a film in France or elsewhere it would only be because the story that was being told was something that concerned me, and that really called me or needed to be shown on the screen.
The rule I have when choosing films is the excitement factor, I need to feel excited about the story and whatever message the film has - only then do I sign on the dotted line.
A love affair is like a short story--it has a beginning, a middle, and an end. The beginning was easy, the middle might drag, invaded by commonplace, but the end, instead of being decisive and well knit with that element of revelatory surprise as a well-written story should be, it usually dissipated in a succession of messy and humiliating anticlimaxes.
Remakes are awesome, especially when it honors yet adds a new component or dimension to the original. But truthfully, we have so many stories, lives and subjects to explore that I'd love to keep pushing towards new knowledge.