I love characters that are going through turmoil. To be honest, I love characters with conflict. I love characters who are really going through an emotional journey; whether it's a super-dark-crazy journey or a really relatable guy.
"My comfort is," said Susan, looking back at Mr. Dombey, "that I have told a piece of truth this day which ought to have been told long before and can't be told too often or too plain..."
"I know quite enough of myself," said Bella, with a charming air of being inclined to give herself up as a bad job, "and I don't improve upon acquaintance..."
Happy will that house be in which the relations are formed from character; after the highest, and not after the lowest order; the house in which character marries, and not confusion and a miscellany of unavowable motives.
Even men of the noblest possible moral character are extremely susceptible to the influence of the physical charms of others. Modern, no less then Ancient History, supplies us with many most painful examples of what I refer to. If it were not so, indeed, History would be quite unreadable.
No religion which is narrow and which cannot satisfy the test of reason, will survive the coming reconstruction of society in which the values will have changed and character, not possession of wealth, title or birth, will be the test of merit.
That perhaps is your task--to find the relation between things that seem incompatible yet have a mysterious affinity, to absorb every experience that comes your way fearlessly and saturate it completely so that your poem is a whole, not a fragment; to re-think human life into poetry and so give us tragedy again and comedy by means of characters not spun out at length in the novelist's way, but condensed and synthesized in the poet's way--that is what we look to you to do now.
When you do a play, you have all this time to rehearse and grow into the character. In television, even though you're waiting and waiting and waiting, once you're actually on set engaging in the scene with another actor, time is of the essence.
An interesting play cannot in the nature of things mean anything but a play in which problems of conduct and character of personalimportance to the audience are raised and suggestively discussed.