Against my will I am sent to bid you come in to dinner. BENEDICK Fair Beatrice, I thank you for your pains. BEATRICE I took no more pains for those thanks than you take pains to thank me: if it had been painful, I would not have come. BENEDICK You take pleasure then in the message? BEATRICE Yea, just so much as you may take upon a knife's point ... You have no stomach, signior: fare you well. Exit BENEDICK Ha! 'Against my will I am sent to bid you come in to dinner;' there's a double meaning in that... (Much Ado About Nothing)
I believe a man is born first unto himself - for the happy developing of himself, while the world is a nursery, and the pretty things are to be snatched for, and pleasant things tasted; some people seem to exist thus right to the end. But most are born again on entering manhood; then they are born to humanity, to a consciousness of all the laughing, and the never-ceasing murmur of pain and sorrow that comes from the terrible multitudes of brothers.
I sometimes hold it half a sin To put in words the grief I feel For words, like nature, half reveal And half conceal the soul within. But, for the unquiet heart and brain A use measured language lie's The sad mechanic exercise Like dull narcotic's, numbing pain In words, like weeds, I'll wrap me o'er Like coarsest clothes against the cold But large grief which these enfold Is given in outline and no more.
If men as individuals surrender to the call of their elementary instincts, avoiding pain and seeking satisfaction only for their own selves, the result for them all taken together must be a state of insecurity, of fear, and of promiscuous misery.
No Senses stronger than his brain can bear. Why has not Man a microscopic eye? For this plain reason, Man is not a Fly: What the advantage, if his finer eyes Study a Mite, not comprehend the Skies?... Or quick Effluvia darting thro' his brain, Die of a Rose, in Aromatic pain? If Nature thunder'd in his opening ears, And stunn'd him with the music of the Spheres... Who finds not Providence all-good and wise, Alike in what it gives, and what denies?
For pain is perhaps but a violent pleasure? Who could determine the point where pleasure becomes pain, where pain is still a pleasure? Is not the utmost brightness of the ideal world soothing to us, while the lightest shadows of the physical world annoy?
Modern science has as its object as little pain as possible, as long a life as possible - hence a sort of eternal blessedness, but of a very limited kind in comparison with the promises of religion.
I sometimes hold it half a sin To put in words the grief I feel For words, like nature, half reveal And half conceal the soul within. But, for the unquiet heart and brain A use measured language lie's The sad mechanic exercise Like dull narcotic's, numbing pain In words, like weeds, I'll wrap me o'er Like coarsest clothes against the cold But large grief which these enfold Is given in outline and no more.
Art serves us best precisely at that point where it can shift our sense of what is possible, when we know more than we knew before, when we feel we have - by some manner of a leap - encountered the truth. That, by the logic of art, is always worth the pain.
What opium is instilled into all disaster? It shows formidable as we approach it, but there is at last no rough rasping friction,but the most slippery sliding surfaces. We fall soft on a thought.
I hate all pain, Given or received; we have enough within us The meanest vassal as the loftiest monarch, Not to add to each other's natural burden Of mortal misery.
Human life--that appeared to him the one thing worth investigating. Compared to it there was nothing else of any value. It was true that as one watched life in its curious crucible of pain and pleasure, one could not wear over one's face a mask of glass, nor keep the sulphurous fumes from troubling the brain and making the imagination turbid with monstrous fancies and misshapen dreams.