I will not adopt that ungenerous and impolitic custom so common with novel writers, of degrading by their contemptuous censure the very performances, to the number of which they are themselves adding?joining with their greatest enemies in bestowing the harshest epithets on such works, and scarcely ever permitting them to be read by their own heroine, who, if she accidentally take up a novel, is sure to turn over its insipid leaves with disgust.
We will gradually become indifferent to what goes on in the minds of other people when we acquire a knowledge of the superficial nature of their thoughts, the narrowness of their views and of the number of their errors. Whoever attaches a lot of value to the opinions of others pays them too much honor.
Compared with how we've ducked it in the United States, Canada should be really proud of how you have welcomed a significant number of refugees - far more, in fact, than we Americans have, even though our population is vastly larger.
The Middle East has gone through periods of turmoil before. In the 1950s and 1960s, there were revolutions. When monarchies were collapsing in a number of countries, we had radicals and we had Nasserism. Today it's a little bit more complicated.
It has cost me years of thought to arrive at certain results, by many believed to be unattainable, for which there are now numerous claimants, and the number of these is rapidly increasing, like that of the colonels in the South after the war.
Once you've learned to think you can't stop. And an enormous number of people devote their lives to keeping their minds busy and feel extremely uncomfortable with silence.
[Rhyme is] but the invention of a barbarous age, to set off wretched matter and lame Meter; ... Not without cause therefore some both Italian and Spanish poets of prime note have rejected rhyme, ... as have also long since our best English tragedies, as... trivial and of no true musical delight; which [truly] consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings, a fault avoided by the learned ancients both in poetry and all good oratory.