And when the stream Which overflowed the soul was passed away, A consciousness remained that it had left Deposited upon the silent shore Of memory images and precious thoughts That shall not die, and cannot be destroyed.
We die to each other daily. What we know of other people is only our memory of the moments during which we knew them. And they have changed since then. To pretend that they and we are the same is a useful and convenient social convention which must sometimes be broken. We must also remember that at every meeting we are meeting a stranger.
Love changes us and helps us move forward in life. It often helps us become the people we've always wanted to be and move away from the people we were. Love transforms us in the best of ways, allowing us only to look back on a memory of our former self.
Memory is the seamstress, and a capricious one at that. Memory runs her needle in and out, up and down, hither and thither. We know not what comes next, or what follows after. Thus, the most ordinary movement in the world, such as sitting down at a table and pulling the inkstand towards one, may agitate a thousand odd, disconnected fragments, now bright, now dim, hanging and bobbing and dipping and flaunting, like the underlinen of a family of fourteen on a line in a gale of wind.
I dislike modern memoirs. They are generally written by people who have either entirely lost their memories, or have never done anything worth remembering.
And dazzling memory revive.Refresh the faded tints, Recut the aged prints, And write my old adventures, with the pen Which, on the first day, drew Upon the tablets blue The dancing Pleiads, and the eternal men.
If my happiness at this moment consists largely in reviewing happy memories and expectations, I am but dimly aware of this present. I shall still be dimly aware of the present when the good things that I have been expecting come to pass. For I shall have formed a habit of looking behind and ahead, making it difficult for me to attend to the here and now. If, then , my awareness of the past and future makes me less aware of the present, I must begin to wonder whether I am actually living in the real world.
Perhaps there may come into my art also, no less than into my life, a still deeper note, one of greater unity of passion, and directness of impulse. Not width but intensity is the true aim of modern art. We are no longer in art concerned with the type. It is with the exception that we have to do. I cannot put my sufferings into any form they took, I need hardly say. Art only begins where Imitation ends, but something must come into my work, of fuller memory of words perhaps, of richer cadences, of more curious effects, of simpler architectural order, of some aesthetic quality at any rate.
Every act of the man inscribes itself in the memories of his fellows, and in his own manners and face. The air is full of sounds;the sky, of tokens; the ground is all memoranda and signatures; and every object covered over with hints, which speak to the intelligent.
The sea can bind us to her many moods, whispering to us by the subtle token of a shadow or a gleam upon the waves, and hinting in these ways of her mournfulness or rejoicing. Always she is remembering old things, and these memories, though we may not grasp them, are imparted to us, so that we share her gaiety or remorse.