These eyes, tho' clear To outward view of blemish or of spot, Bereft of light, their seeing have forgot, Nor to their idle orbs doth sight appear Of sun, or moon, or star, throughout the year, Or man, or woman. Yet I argue not Against Heaven's hand or will, not bate a jot Of heart or hope; but still bear up and steer Right onward.
We don't have a lot of men on stage doing flamboyant or theatrical. We have a lot of female pop stars doing it, but where are the guys? Where's the classic pop-rock showman?
Heaven's ebon vault Studded with stars unutterably bright, Through which the moon's unclouded grandeur rolls, Seems like a canopy which love has spread To curtain her sleeping world.
I was going to be credited as Wray Nerely, my role in Con Man. It got cut in the reshoots. I was like, "Wait a second. I'm cut." It's a better telling of the story, but unfortunately, Wray Nerely gets cut, which is actually exactly right because if Wray Nerely was ever in Star Wars, he wouldn't make it to the final edit.
Of all tools, an observatory is the most sublime. . . . What is so good in a college as an observatory? The sublime attaches to the door and to the first stair you ascent, that this is the road to the stars.
To crush out fanaticism and revere the infinite, such is the law. Let us not confine ourselves to falling prostrate beneath the tree of creation and contemplating its vast ramifications full of stars. We have a duty to perform, to cultivate the human soul, to defend mystery against miracle, to adore the incomprehensible and to reject the absurd; to admit nothing that is inexplicable excepting what is necessary, to purify faith and obliterate superstition from the face of religion, to remove the vermin from the garden of God.
I am old, yet I look at wise men and see that I am very young. I look over those stars yonder, and into the myriads of the aspirant and ordered souls, and see I am a stranger and a youth and have yet my spurs to win. Too ridiculous are these airs of age.
This is reverent. This is Star Wars, damn it. You don't screw around with it. The things that were improv'd or added that developed on set weren't huge departures as far as storyline or anything like that goes. They just were clarifications in character or, at the best moments, they spoke to the moment in the story in a way that, at least with Kaytoo, tended to be funny.
The stars awaken a certain reverence, because though always present, they are inaccessible; but all natural objects make a kindred impression, when the mind is open to their influence. Nature never wears a mean appearance.
The leaves are falling, falling as from way off, as though far gardens withered in the skies; they are falling with denying gestures. And in the nights the heavy earth is falling from all the stars down into loneliness. We all are falling. This hand falls. And look at others: it is in them all. And yet there is one who holds this falling endlessly gently in his hands.
I shall never sleep calmly again when I think of the horrors that lurk ceaselessly behind life in time and in space, and of those unhallowed blasphemies from elder stars which dream beneath the sea, known and favoured by a nightmare cult ready and eager to loose them upon the world whenever another earthquake shall heave their monstrous stone city again to the sun and air.
Let a ruler base his government upon virtuous principles, and he will be like the pole-star, which remains steadfast in its place, while all the host of stars turn towards it
I knew I was destined to be a rock star. I just knew it, like I've always had the power of foresight. I feel right now exactly the way I felt after I finished mixing my first solo album 'New York Groove'.