(Title: To the Moon) Art thou pale for weariness Of climbing heaven, and gazing on the earth, Wandering companionless Among the stars that have a different birth,-- And ever-changing, like a joyless eye That finds no object worth its constancy?
The sky was horribly dark , but one could distinctly see tattered clouds , and between them fathomless black patches. Suddenly I noticed in one of these patches a star , and began watching it intently. That was because that star had given me an idea : I decided to kill myself that night .
Look for the stars, you'll say that there are none; / Look up a second time, and, one by one, / You mark them twinkling out with silvery light, / And wonder how they could elude the sight!
Should we continue to look upwards? Is the light we can see in the sky one of those which will presently be extinguished? The ideal is terrifying to behold... brilliant but threatened on all sides by the dark forces that surround it: nevertheless, no more in danger than a star in the jaws of the clouds.
We begin with friendships, and all our youth is a reconnoitering and recruiting of the holy fraternity they shall combine for thesalvation of men. But so the remoter stars seem a nebula of united light, yet there is no group which a telescope will not resolve; and the dearest friends are separated by impassable gulfs.
As soon as the theoretician attempts to take account of so-called 'utility' and 'reality' instead of absolute truth, his work will cease to be a polar star of seeking humanity and instead will become a prescription for everyday life.
I am old, yet I look at wise men and see that I am very young. I look over those stars yonder, and into the myriads of the aspirant and ordered souls, and see I am a stranger and a youth and have yet my spurs to win. Too ridiculous are these airs of age.
There was a stately drama writ
By the hand that peopled the earth and air,
And set the stars in the infinite,
And made night gorgeous and morning fair;
And all that had sense to reason knew
That bloody drama must be gone through.
Some sat and watched how the action veered--
Waited, profited, trembled, cheered--
We saw not clearly nor understood,
But yielding ourselves to the masterhand,
Each in his part as best he could,
We played it through as the author planned.
Though free to think and act, we are held together, like the stars in the firmament, with ties inseparable. These ties cannot be seen, but we can feel them.
Poetry is a way for me to explore a tingly feeling, to let it play itself out, and also to map it. I feel like I'm making little star maps when I write poems.
O, here Will I set up my everlasting rest, And shake the yoke of inauspicious stars From this world-wearied flesh. Eyes, look your last! Arms, take your last embrace! and, lips, O you The doors of breath, seal with a righteous kiss A dateless bargain to engrossing death!
Why do all the clerks and navvies in the railway trains look so sad and tired, so very sad and tired? I will tell you. It is because they know that the train is going right. It is because they know that whatever place they have taken a ticket for that place they will reach. It is because after they have passed Sloane Square they know that the next station must be Victoria, and nothing but Victoria. Oh, their wild rapture! oh, their eyes like stars and their souls again in Eden, if the next station were unaccountably Baker Street!
The warrior of light knows the importance of intuition. In the midst of battle, he does not have time to think of the enemy's blows, and so he uses his instinct and obeys his angel. in times of peace, he deciphers the signs that God sends him. People say, "He's mad." Or, "He lives in a fantasy world." Or even, "How can he possibly believe in such illogical things?" But the warrior knows that intuition is God's alphabet and he continues listening to the wind and talking to the stars.