Because of something told under the famished horn
Of the hunter's moon, that hung between the night and the day,
To dream of women whose beauty was folded in dismay,
Even in an old story, is a burden not to be borne.
Michael Robartes remembers forgotten beauty and, when his arms wrap her round, he presses in his arms the loveliness which has long faded from the world. Not this. Not at all. I desire to press in my arms the loveliness which has not yet come into the world.
When virtue and modesty enlighten her charms, the lustre of a beautiful woman is brighter than the stars of heaven, and the influence of her power it is in vain to resist.
In nature, all is useful, all is beautiful. It is therefore beautiful, because it is alive, moving, reproductive; it is thereforeuseful, because it is symmetrical and fair. Beauty will not come at the call of a legislature, nor will it repeat in England or America its history in Greece. It will come, as always, unannounced, and spring up between the feet of brave and earnest men.
I hope you have lost your good looks, for while they last any fool can adore you, and the adoration of fools is bad for the soul. No, give me a ruined complexion and a lost figure and sixteen chins on a farmyard of Crow's feet and an obvious wig. Then you shall see me coming out strong.
From all these experiences the most important thing I have learned is that legibility and beauty stand close together and that type design, in its restraint, should be only felt but not perceived by the reader.