In the true mythology, Love is an immortal child, and Beauty leads him as a guide; nor can we express a deeper sense than when we say, Beauty is the pilot of the young soul.
Said one oyster to a neighboring oyster, "I have a very great pain within me. It is heavy and round and I am in distress." And the other oyster replied with haughty complacence, "Praise be to the heavens and to the sea, I have no pain within me. I am well and whole both within and without." At that moment a crab was passing by and heard the two oysters, and he said to the one who was well and whole both within and without, "Yes, you are well and whole; but the pain that your neighbor bears is a pearl of exceeding beauty."
The fact is, the public make use of the classics of a country as a means of checking the progress of Art. They degrade the classics into authorities. They use them as bludgeons for preventing the free expression of Beauty in new forms.
Tell them dear, that if eyes were made for seeing,
Then beauty is its own excuse for being:
Why thou wert there, O rival of the rose!
I never sought to ask, I never knew:
But, in my simple ignorance suppose
The selfsame power that brought me there brought you.
Who gave thee, O Beauty,
The keys of this breast,--
Too credulous lover
Of blest and unblest?
Say, when in lapsed ages
Thee knew I of old?
Or what was the service
For which I was sold?