For an act to be moral the intention must be based on compassion, not duty. We do something because we want to do it, because we feel we have to do it, not because we ought to do it. And even if our efforts fail - or we never even get to implement them - we are still moral because our motivation was based on compassion.
Goddard represented a unique combination of visionary dedication and technological brilliance. He studied physics because he needed physics to get to Mars. In reading the notebooks of Robert Goddard, I am struck by how powerful his exploratory and scientific motivations were - and how influental speculative ideas, even erroneous ones, can be on the shaping of the future.
The motivation is really to say people can find the game of getting involved interesting and find the problem and really have the passion and the enthusiasm to solve it and move forward, but that's all I know.
There is a time to go ahead and a time to stay behind. There is a time to breathe easy and time to breathe hard. There is a time to be vigorous and a time to be gentle. There is a time to gather and a time to release. Can you see things as they are And let them be all on their own?
There’s an important difference and distinction between the objective medical fact of my being an amputee and the subjective societal opinion of whether or not I’m disabled. Truthfully, the only real and consistent disability I’ve had to confront is the world ever thinking that I could be described by those definitions.
We're losing a ritual. We're losing a ritual that I believe is transformative, transcendent, and is at the heart of the patient-physician relationship.
In America, the stories we tell ourselves and we tell each other in fiction have to do with individualism. Every person here is the center of his or her own story. And our job as people and as characters is to find our own motivations and desires, to overcome conflicts and obstacles toward defining ourselves so that we grow and change.
Besides the mistakes that are pointed out, I love the way readers become involved with the characters. When readers start asking about character motivations instead of concentrating on the special effects, it means you're connecting with them on a personal level.
It is important to understand that counterproducti ve actions of body, speech and mind do not arise of their own accord, but spring up in dependence on our motivation. Faulty states of mind give rise to faulty actions. To control negative physical and verbal actions, we need to tame our minds.