SARCOPHAGUS, n. Among the Greeks a coffin which being made of a certain kind of carnivorous stone, had the peculiar property of devouring the body placed in it.
We cannot simply look to austerity as a strategy and it is incredibly important that the Greek people see improvements in their daily lives so that they can carry with them the hope that their lives will get better.
There is a word Kristos in the Greek dictionary, and this word is supposed to be borrowed from the Sanskrit word "Krishna," and Christ is derived from Kristos.
It is by far the most elegant worship, hardly excepting the Greek mythology. What with incense, pictures, statues, altars, shrines, relics, and the real presence, confession, absolution, - there is something sensible to grasp at. Besides, it leaves no possibility of doubt; for those who swallow their Deity, really and truly, in transubstantiation, can hardly find any thing else otherwise than easy of digestion.
According to Greek mythology, humans were originally created with four arms, four legs and a head with two faces. Fearing their power, Zeus split them into two separate parts, condemning them to spend their lives in search of their other halves.
It is generally said, "Past labors are pleasant," Euripides says, for you all know the Greek verse, "The recollection of past labors is pleasant."
[Lat., Vulgo enim dicitur, Jucundi acti labores: nec male Euripides: concludam, si potero, Latine: Graecum enim hunc versum nostis omnes: Suavis laborum est proeteritorum memoria.
We forget how the Greeks and Romans prevailed magnificently in a barbaric world and how that triumph ended-how a slackness and softness finally overcame them to their ruin. In the end, more than they wanted freedom, they wanted security and a comfortable life; and they lost all-comfort and security and freedom.
Oh, when shall Britain, conscious of her claim, Stand emulous of Greek and Roman fame? In living medals see her wars enroll'd, And vanquished realms supply recording gold?
It is by far the most elegant worship, hardly excepting the Greek mythology. What with incense, pictures, statues, altars, shrines, relics, and the real presence, confession, absolution, - there is something sensible to grasp at. Besides, it leaves no possibility of doubt; for those who swallow their Deity, really and truly, in transubstantiation, can hardly find any thing else otherwise than easy of digestion.
The principle of the Gothic architecture is infinity made imaginable. It is no doubt a sublimer effort of genius than the Greek style; but then it depends much more on execution for its effect.