I guess in my house when I was growing up, I was comfortable trying to be funny. And my dad, of course, it bugged him sometimes. He was trying to rest, and I was constantly trying to say something stupid to get a reaction. But I like doing these movies. You can do it in front of the camera and then it's over. I don't have to worry about being in front of too many people.
The Canteen Boy, the reason you feel bad for him and you can laugh is because he, and I guess a lot of my characters, they don't notice they're getting made fun of. So they'll say something back that's not that great a quip, but in their mind they won the argument.
The toughest part is that when your kid's upset, you're upset. You're rocked until they're not upset. Even when they're not upset, you're like, "I hope that doesn't happen, down the line." You're always nervous because you want your kid to be happy.
I don't know what the hell I'm doing; I like what I've been doing. I believe in what I've done in the past; I hope my kid enjoys the movies I've made and enjoys some of the movies in the future.
I don't know who I touch and who I don't. I work hard trying to make people laugh. I try to do the kind of stuff that made me laugh growing up. I don't have any secrets. I don't know the reasons I've been so well received.
I was a coin collector.I didn't know I was nerdy at the time until I felt my 16-D Mercury Dime that was in uncirculated condition might be a panty dropper, and it turned out not to be. Then I stumbled into skateboarding, which kind of was cooler. But I wasn't aware of what was cool. My dad wasn't around so he couldn't shake me and say, 'Drop the coin collecting bit. It's not where you want to go.' So, that and the spelling bee and the chess, I think I had it figured out for myself.