A handwritten letter carries a lot of risk. It's a one-sided conversation that reveals the truth of the writer. Furthermore, the writer is not there to see the reaction of the person he writes to, so there's a great unknown to the process that requires a leap of faith. The writer has to choose the right words to express his sentences, and then, once he has sealed the envelope, he has to place those thoughts in the hands of someone else, trusting that the feelings will be delivered, and that the recipient will understand the writer's intent. How childish to think that could be easy.
The wedding vows are a license to be a complete jerk, with full knowledge that the person you married has agreed, no matter how large a horse's ass you are, to stay by your side until death. A fool could tell you this is a bad deal.
The most precious research to me came from the paperwork filed on behalf of my grandparents and great-grandfather. The ship's manifest showed that they could read and write. I am still emotional when I look at those boxes checked yes.
And so, when I was a young writer I always worked hard on imagery, and I knew that the roots of imagery were the senses - and that if my readers could feel, taste and see what I was talking about, I would be able to tell them a story.
All the things I thought I was - simple and plain and sometime funny - are very small words. They do not begin to describe me. They do not begin to express what is inside of me. I have value, and I have worth. I cannot be replaced like old shoes or taken for granted like tap water.