I have held the following jobs: office temp, ticket seller in movie theatre, cook in restaurant, nanny, and phone installer at the Super Bowl in New Orleans.
Everything has to be clean and orderly when I sit down to write. I have candles going, and small objects that remind me of what I am working on, or bring me into the world of the character.
And so, when I was a young writer I always worked hard on imagery, and I knew that the roots of imagery were the senses - and that if my readers could feel, taste and see what I was talking about, I would be able to tell them a story.
You never know when some small thing will lead to a big idea. Travel is very inspirational - but it's in the ordinary that I find my themes of love and work and family.
The wedding vows are a license to be a complete jerk, with full knowledge that the person you married has agreed, no matter how large a horse's ass you are, to stay by your side until death. A fool could tell you this is a bad deal.
Looking back, now, I realize that you only ever need one person who lights up that way when you enter a room. One person is all it takes to give a kid confidence.
I began as a dramatist in the theater, so I'm always thinking about how a story moves, what it looks like, how to engage the senses, how dialogue sounds, what feels authentic and sounds real, what's funny, how to build distinctive and original characters - all the aspects of playwriting, scene-building, the architecture of dramatizing.
I have been a joy to live with all spring: Upbeat, warm and tender, uncomplicated, and loving. I am no trouble at all. You could press me into dough and make sugar cookies out of me, I've been so sweet.