The gospel of cheerfulness, I had almost said the gospel of amusement, is preached by people who lack experience to people who lack vitality. There is a vague impression that the world would be a good world if it were only happy, that it would be happy if it were amused, and that it would be amused if plenty of artificial recreation - that recreation for which we are now told every community stands responsible - were provided for its entertainment.
There is something frightful in being required to enjoy and appreciate all masterpieces; to read with equal relish Milton, and Dante, and Calderon, and Goethe, and Homer, and Scott, and Voltaire, and Wordsworth, and Cervantes, and Molière, and Swift.
A villain must be a thing of power, handled with delicacy and grace. He must be wicked enough to excite our aversion, strong enough to arouse our fear, human enough to awaken some transient gleam of sympathy. We must triumph in his downfall, yet not barbarously nor with contempt, and the close of his career must be in harmony with all its previous development.
Now the pessimist proper is the most modest of men. ... under no circumstances does he presume to imagine that he, a mere unit of pain, can in any degree change or soften the remorseless words of fate.
We have but the memories of past good cheer, we have but the echoes of departed laughter. In vain we look and listen for the mirth that has died away. In vain we seek to question the gray ghosts of old-time revelers.
The pessimist is seldom an agitating individual. His creed breeds indifference to others, and he does not trouble himself to thrust his views upon the unconvinced.
Life is so full of miseries, minor and major; they press so close upon us at every step of the way, that it is hardly worthwhile to call one another's attention to their presence.
Lovers of the town have been content, for the most part, to say they loved it. They do not brag about its uplifting qualities. They have none of the infernal smugness which makes the lover of the country insupportable.