The gospel of cheerfulness, I had almost said the gospel of amusement, is preached by people who lack experience to people who lack vitality. There is a vague impression that the world would be a good world if it were only happy, that it would be happy if it were amused, and that it would be amused if plenty of artificial recreation - that recreation for which we are now told every community stands responsible - were provided for its entertainment.
The great dividing line between books that are made to be read and books that are made to be bought is not the purely modern thing it seems. We can trace it, if we try, back to the first printing-presses.
It is because of our unassailable enthusiasm, our profound reverence for education, that we habitually demand of it the impossible. The teacher is expected to perform a choice and varied series of miracles.
There is an optimism which nobly anticipates the eventual triumph of great moral laws, and there is an optimism which cheerfully tolerates unworthiness.
It is claimed that the United States gets the cleanest and purest tea in the market, and certainly it is too good to warrant the nervous apprehension which strains and dilutes it into nothingness. The English do not strain their tea in the fervid fashion we do. They like to see a few leaves dawdling about the cup. They like to know what they are drinking.
Wit is artificial; humor is natural. Wit is accidental; humor is inevitable. Wit is born of conscious effort; humor, of the allotted ironies of fate. Wit can be expressed only in language; humor can be developed sufficiently in situation.
Diaries tell their little tales with a directness, a candor, conscious or unconscious, a closeness of outlook, which gratifies our sense of security. Reading them is like gazing through a small clear pane of glass. We may not see far and wide, but we see very distinctly that which comes within our field of vision.
The perfectly natural thing to do with an unreadable book is to give it away; and the publication, for more than a quarter of a century, of volumes which fulfilled this one purpose and no other is a pleasant proof, if proof were needed, of the business principles which underlay the enlightened activity of publishers.
There are few things more wearisome in a fairly fatiguing life than the monotonous repetition of a phrase which catches and holds the public fancy by virtue of its total lack of significance.
Sensuality, too, which used to show itself course, smiling, unmasked, and unmistakable, is now serious, analytic, and so burdened with a sense of its responsibilities that it passes muster half the time as a new type of asceticism.
Just as we are often moved to merriment for no other reason than that the occasion calls for seriousness, so we are correspondingly serious when invited too freely to be amused.
We have but the memories of past good cheer, we have but the echoes of departed laughter. In vain we look and listen for the mirth that has died away. In vain we seek to question the gray ghosts of old-time revelers.
The party which is out sees nothing but graft and incapacity in the party which is in; and the party which is in sees nothing but greed and animosity in the party which is out.
Personally, I do not believe that it is the duty of any man or woman to write a novel. In nine cases out of ten, there would be greater merit in leaving it unwritten.