I did have a child, and I was reading a lot of picture books to her, but at the same time writing a children's book was something that I'd been wanting to do for many years, pretty much since the start of my career.
My process for the parodies is that I get an idea for a song and then get approval from the artist and then go in and record it and probably try to get it out as soon as possible.
In fact, when I come up with an idea for a parody I try to resist the urge to Google the idea to see if someone has done it already because the answer is almost always, "Yes, of course they have, they've thought of it!"
It becomes more important to me as time goes on to make every album the best thing I've ever done, so it's a lot of self-imposed pressure that also kind of slows me down a bit.
I was able to come up with a couple articles for the magazine, I was able to solicit help from a bunch of my friends to contribute pieces: Patton Oswalt, Seth Green, Emo Phillips, Chris Hardwick, John Hodgman, and more. It's very much a "Weird Al" themed issue, so I'd like to think that there's a lot of "Weird Al" flavor throughout but I think it'd be generous really to call me an editor.
I was a huge fan of 'Mad' magazine when I was 11, 12, 13 years old. I'd scour used bookstores trying to find back issues, and I'd wait at the newsstand for a new issue to come out. My life revolved around it.
There's a lot of different ways that a song would be a challenge to parody. There are a lot of songs that would ostensibly be a good candidate for parody, yet I can't think of a clever enough idea. Some songs are too repetitive for me to be able to fashion a humorous set of lyrics around. Some songs flat-out just don't work creatively for me.
One of my pet peeves is that sometimes the talents of my band get overlooked because, and it was the same problem that Frank Zappa had, with a lot of groups that use humor, people don't realize there's a lot of craft behind the comedy.
When I started out, I didn't feel like I was really accepted in the music or comedy communities, and I was somewhere on the edge, but now I feel like I'm accepted in both, which is extremely gratifying.