I have very mixed feelings about it. On one hand, I’m concerned that the rampant downloading of my copyright-protected material over the Internet is severely eating into my album sales and having a decidedly adverse effect on my career. On the other hand, I can get all the Metallica songs I want for FREE! WOW!
My process for the parodies is that I get an idea for a song and then get approval from the artist and then go in and record it and probably try to get it out as soon as possible.
What kind of morons do you have working at newspapers in Austin that would base an entire review of an artist's performance on whether or not they had a good seat?
Somebody will come up to me after a show and have me sign their arm, and the next time I see them my autograph has been permanently inscribed on their arm.
I think I'm equally as abusive as the editors normally are for the "Letters and Tomatoes" column, which is the fan mail part of MAD Magazine and an ongoing feature.
Like, I have had moments, which I think most people have, where you'll be watching TV, and it'll be interrupted by some tragic event, and you'll actually find yourself thinking, 'I don't want to hear about this train being derailed! What happened to 'The Flintstones'?'
At this point I've got a bit of a track record. So people realize that when 'Weird Al' wants to go parody, it's not meant to make them look bad... it's meant to be a tribute.