Human life and objects and trees vibrate with mysterious meanings, which can be deciphered like cuneiform writing. There exists a meaning, hidden from day to day, but accessible in moments of greatest attentiveness, in those moments when consciousness loves the world.
When I was asked to do something good, I often say yes, I'll try, yes, I'll do my best. And part of that is believing, if God loves me, if God made everything from leaves to seals and oak trees, then what is it I can't do?
Creation destroys as it goes, throws down one tree for the rise of another. But ideal mankind would abolish death, multiply itself million upon million, rear up city upon city, save every parasite alive, until the accumulation of mere existence is swollen to a horror.
Everything comes to us that belongs to us if we create the capacity to receive it. Every difficulty slurred over will be a ghost to disturb your repose later on. Emancipation from the bondage of the soil is no freedom for the tree.
Heaven, in the production of things, is sure to be bountiful to them, according to their qualities. Hence the tree that is flourishing, it nourishes, while that which is ready to fall, it overthrows.
When I draw something, I try to build some kind of history into it. Drawing an object that has a certain amount of wear and tear or rust; or a tree that is damaged. I love trying to render not just the object, but what it has been through.
We're all nothing but unified arrangements of atoms and particles, drifting around, enjoying consciousness every now and then for a second or so before splitting up to become bits and pieces of trees and stars and french fries.
You often say, "I would give, but only to the deserving." The trees in your orchard say not so, nor the flocks in your pasture. They give that they may live, for to withhold is to perish.