Remember your contemporaries who have passed away and were your age. Remember the honors and fame they earned, the high posts they held, and the beautiful bodies they possessed. Today all of them are turned to dust. They have left orphans and widows behind them, their wealth is being wasted, and their houses turned into ruins.
No sign of them is left today, and they lie in dark holes underneath the earth.
Picture their faces before your mind's eye and ponder.
But our love was stronger by far than the love Of those who were older than we Of many far wiser than we And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee.
I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out.
Sometimes an unimportant incident is capable of turning everything beautiful into a moment of anxiety. We insist on seeing the mote in the eye and forget about the mountains, the fields and the olive groves.
I remember how beautiful it was to fall asleep on your couch and cry in front of you for the first time.
You were the best platform from which to jump beyond myself.
What was wrong with me?
There are two ways to live: you can live as if nothing is a miracle; you can live as if everything is a miracle. The most beautiful thing we can experience is the mysterious. It is the source of all true art and all science. He to whom this emotion is a stranger, who can no longer pause to wonder and stand rapt is awe, is as good as dead: his eyes are closed.
There is a beautiful and life-enhancing alternative outlook that offers insight, consolation, inspiration and meaning, which has nothing to do with religion, and everything to do with the best, most generous, most sympathetic understanding of human reality.
When virtue and modesty enlighten her charms, the lustre of a beautiful woman is brighter than the stars of heaven, and the influence of her power it is in vain to resist.
The epithet beautiful is used by surgeons to describe operations which their patients describe as ghastly, by physicists to describe methods of measurement which leave sentimentalists cold, by lawyers to describe cases which ruin all the parties to them, and by lovers to describe the objects of their infatuation, however unattractive they may appear to the unaffected spectators.
It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.
An artist should create beautiful things, but should put nothing of his own life into them. We live in an age when men treat art as if it were meant to be a form of autobiography. We have lost the abstract sense of beauty.