In the tale proper--where there is no space for development of character or for great profusion and variety of incident--mere construction is, of course, far more imperatively demanded than in the novel.
Dreams are the eraser dust I blow off my page.
They fade into the emptiness, another dark gray day.
Dreams are only memories of the plans I had back then.
Dreams are eraser dust and now I use a pen.
Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
Eagerly, I wished the morrow; - vainly I had sought to borrow
From my books surcease of sorrow - sorrow for the lost Leonore -
For the rare and radiant maiden who the angels name Lenore -
Nameless here for evermore.
The mental features discoursed of as the analytical, are, in themselves, but little susceptible of analysis. We appreciate them only in their effects. We know of them, among other things, that they are always to their possessor, when inordinately possessed, a source of the liveliest enjoyment.
That is another of your odd notions," said the Prefect, who had a fashion of calling every thing "odd" that was beyond his comprehension, and thus lived amid an absolute legion of "oddities.
There are some qualities, some incorporate things, that have a double life, which thus is made. A type os twin entity which springs from matter and light, envinced in solid and shade.
By the grey woods, by the swamp, where the toad and newt encamp, by the dismal tarns and pools, where dwell the Gouls. By each spot the most unholy, by each nook most melancholy, there the traveller meets, aghast, sheeted memories of the Past. Shrouded forms that start and sigh, as they pass the wanderer by. White-robed forms of friends long given; In agony, to the Earth - and Heaven.
The Merchant, to Secure His Treasure The merchant, to secure his treasure, Conveys it in a borrowed name: Euphelia serves to grace my measure, But Cloe is my real flame. My softest verse, my darling lyre Upon Euphelia's toilet lay - When Cloe noted her desire That I should sing, that I should play. My lyre I tune, my voice I raise, But with my numbers mix my sighs; And whilst I sing Euphelia's praise, I fix my soul on Cloe's eyes. Fair Cloe blushed; Euphelia frowned: I sung, and gazed; I played, and trembled: And Venus to the Loves around Remarked how ill we all dissembled.
It is more than probable that I am not understood; but I fear, indeed, that it is in no manner possible to convey to the mind of the merely general reader, an adequate idea of that nervous intensity of interest with which, in my case, the powers of meditation (not to speak technically) busied and buried themselves, in the contemplation of even the most ordinary objects of the universe.
In other words, I believed, and still do believe, that truth, is frequently of its own essence, superficial, and that, in many cases, the depth lies more in the abysses where we seek her, than in the actual situations wherein she may be found.
I never can hear a crowd of people singing and gesticulating, all together, at an Italian opera, without fancying myself at Athens, listening to that particular tragedy, by Sophocles, in which he introduces a full chorus of turkeys, who set about bewailing the death of Meleager.