You need not attempt to shake off or to banter off Romance. It is an evil you will never get rid of to the end of your days. It is a part of yourself ... of your soul. Age will only mellow it a little, and give it a holier tone.
By a route obscure and lonely Haunted by ill angels only, Where an eidolon, named NIGHT, On a black throne reigns upright, I have reached these lands but newly From an ultimate dim Thule -- From a wild, weird clime that lieth, sublime, Out of SPACE, out of TIME.
To Helen Helen, thy beauty is to me Like those Nicean barks of yore That gently, o'er a perfumed sea, The weary, way-worn wanderer bore To his own native shore. On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece, And the grandeur that was Rome. Lo, in yon brilliant window-niche How statue-like I see thee stand, The agate lamp within thy hand, Ah! Psyche, from the regions which Are Holy Land!
My next thought concerned the choice of an impression, or effect, to be conveyed: and here I may as well observe that, throughout the construction, I kept steadily in view the design.
Alas! for that accursed time They bore thee o'er the billow, From love to titled age and crime, And an unholy pillow! From me, and from our misty clime, Where weeps the silver willow!
I heed not that my earthly lot Hath - little of Earth in it - That years of love have been forgot In the hatred of a minute: - I mourn not that the desolate Are happier, sweet, than I, But that you sorrow for my fate Who am a passer by.
I was a child and she was a child, In this kingdom by the sea; But we loved with a love that was more than love- I and my Annabel Lee; With a love that the winged seraphs of heaven Coveted her and me.
[E]very plot, worth the name, must be elaborated to its dénouement before anything be attempted with the pen. It is only with the dénouement constantly in view that we can plot its indispensable air of consequence, or causation, by making the incidents, and especially the tone at all points tend to the development of the intention.