The brooks flow to their lover, the sea, and the flowers smile at the object of their passion, the light. The mist rolls down to its beloved, the valley. And I? In me is what brooks do not know, what flowers do not hear, what the mist does not apprehend. You see me alone in my love, solitary in my yearning.
White... is not a mere absence of colour; it is a shining and affirmative thing, as fierce as red, as definite as black... God paints in many colours; but He never paints so gorgeously, I had almost said so gaudily, as when He paints in white.
And fairy month of waking mirth
From whom our joys ensue
Thou early gladder of the earth
Thrice welcome here anew
With thee the bud unfolds to leaves
The grass greens on the lea
And flowers their tender boon receives
To bloom and smile with thee.
Against a dark sky all flowers look like fireworks. There is something strange about them, at once vivid and secret, like flowers traced in fire in the phantasmal garden of a witch.
The root of any film project for me is this inner need to express something. What nurtures this root and makes it grow into a tree is the script. What makes the tree bear flowers and fruit is the directing.
Here even the various mind-pleasing blossoming flowers, and attractive shining supreme golden houses, have no inherently existent maker at all. They are set up through the power of thought. Through the power of conceptuality the world is established
One who has never known the turbulence of life, in whom the petals of the mysterious flower within have never opened; such a one may seem happy, may seem a saint, his single track mind may impress the multitude with its power - but he is ill equipped for life's true adventure into the infinite.
There's an interdependence between flowers and bees. Where there are no flowers there are no bees, and where there are no bees, there are no flowers. They are really one organism. And so in the same way, everything in nature depends on everything else.
English Bohemianism is a curiously unluscious fruit. ... Inside this hothouse, huge lascivious orchids slide sensuously up the sweating windows, passion-flowers cross-pollinate in wild heliotrope abandon, lotuses writhe with poppies in the sweet warm beds, kumquats ripen, open and plop flatly to the floor-and outside, in a neat, trimly-hoed kitchen-garden, English bohemians sit in cold orderly rows, like carrots.
The clouds that gather round the setting sun do take a sober colouring from an eye that hath kept watch o'er man's mortality; another race hath been, and other palms are won. Thanks to the human heart by which we live, thanks to its tenderness, its joys, and fears, to me the meanest flower that blows can give thoughts that do often lie too deep for tears.
I envy you going to Oxford: it is the most flower-like time of one's life. One sees the shadow of things in silver mirrors. Later on, one sees the Gorgon's head, and one suffers, because it does not turn one to stone.
Yet mark'd I where the bolt of Cupid fell: It fell upon a little western flower, Before milk-white, now purple with love's wound, And maidens call it love-in-idleness.