every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself.
Marco Polo had seen the inhabitants of Zipangu place rose-colored pearls in the mouths of the dead. A sea-monster had been enamoured of the pearl that the diver brought to King Perozes, and had slain the thief, and mourned for seven moons over its loss.
What is termed Sin is an essential element of progress. Without it the world would stagnate, or grow old, or become colorless. By its curiosity Sin increases the experience of the race. Through its intensified assertion of individualism it saves us from monotony of type. In its rejection of the current notions about morality, it is one with the higher ethics.
But whether I become a believer or remain an agnostic, my belief or disbelief must derive its source from within, not from without. I, myself, must create its symbols. The transcendental is that which produces its own form. I will never discover its secret if I do not find it in my own heart; if I do not possess it already I shall never be able to acquire it.
I envy you going to Oxford: it is the most flower-like time of one's life. One sees the shadow of things in silver mirrors. Later on, one sees the Gorgon's head, and one suffers, because it does not turn one to stone.
Indeed, as any one who has ever worked among the poor knows only too well, the brotherhood of man is no mere poet's dream, it is a most depressing and humiliating reality.
Lady Bracknell. Good afternoon, dear Algernon, I hope you are behaving very well. Algernon. I’m feeling very well, Aunt Augusta. Lady Bracknell. That’s not quite the same thing. In fact the two things rarely go together.