Drive my dead thoughts over the universe Like withered leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguished hearth Ashes and sparks, my words among mankind! Be through my lips to unawakened earth The trumpet of a prophecy! O, wind, If Winter comes, can Spring be far behind?
The emptiness and folly of retaliation are apparent from every example which can be brought forward. Not only Jesus Christ, but the most eminent professors of every sect of philosophy, have reasoned against this futile superstition.
Thus suicidal selfishness, that blights The fairest feelings of the opening heart, Is destined to decay, whilst from the soil Shall spring all virtue, all delight, all love, And judgment cease to wage unnatural war With passion's unsubduable array.
We look before and after, And pine for what is not; Our sincerest laughter With some pain is fraught; Our sweetest songs are those that tell of saddest thought.
Mont Blanc yet gleams on high: the power is there, The still and solemn power of many sights And many sounds, and much of life and death. In the long glare of day, the snows descend Upon that Mountain; none beholds them there, Nor when the flakes burn in the sinking sun, Or the sunbeams dart through them.
So soon as this want or power [of love] is dead, man becomes the living sepulchre of himself, and what yet survives is the mere husk of what once he was.
The rich have become richer, and the poor have become poorer; and the vessel of the state is driven between the Scylla and Charybdis of anarchy and despotism.
Human vanity is so constituted that it stiffens before difficulties. The more an object conceals itself from our eyes, the greater the effort we make to seize it, because it pricks our pride, it excites our curiosity and it appears interesting. In fighting for his God everyone, in fact, fights only for the interest of his own vanity, which, of all the passions produced bye the mal-organization of society, is the quickest to take offense, and the most capable of committing the greatest follies.
A poet is a nightingale, who sits in darkness and sings to cheer its own solitude with sweet sounds; his auditors are as men entranced by the melody of an unseen musician, who feel that they are moved and softened, yet know not whence or why.