The reason I wrote political satire was because I thought it - politics - was important... that public policy was important. Then I transitioned into books, then into radio.
I claim that human mind or human society is not divided into watertight compartments called social, political and religious. All act and react upon one another.
Immense deposits of kimmeridge clay, containing the oil-bearing bands or seams, stretch across England from Dorsetshire to Lincolnshire. [An early political recognition of the native resource. The Geological Survey had identified the inflammable oil shale in reports since at least 1888.]
Above all, there is no exception to this rule: that the idea of political superiority always resolves itself into the idea of psychological superiority.
I am convinced that whenever we exaggerate or demonize, oversimplify or overstate our case, we lose. Whenever we dumb down the political debate, we lose. For it's precisely the pursuit of ideological purity, the rigid orthodoxy and the sheer predictability of our current political debate, that keeps us from finding new ways to meet the challenges we face.
The kind of poetry that interests me is intellectual and moral and political and sexual and sensual - all of that fermenting together. It can speak to people who have themselves felt like monsters and say: you are not alone, this is not monstrous. It can disturb and enrapture.
I was an arden Hayes man, but that was natural, for I was pretty young at the time, I have since convinced myself that the political opinioins of a nation are of next to no value, in any case, but that what little rag of value they posess is to be found among the old, rather than among the young.