More and more do I feel, as I advance in life, how little we really know of each other. Friendship seems to me like the touch of musical-glasses--it is only contact; but the glasses themselves, and their contents, remain quite distinct and unmingled.
The tragic element in poetry is like Saturn in alchemy, the Malevolent, the Destroyer of Nature ; but without it no true Aurum Potabile, or Elixir of Life, can be made.
By the shores of Gitchee Gumee,
By the shining Big-Sea-Water,
Stood the wigwam of Nokomis,
Daughter of the Moon, Nokomis,
Dark behind it rose the forest,
Rose the black and gloomy pine-trees,
Rose the firs with cones upon them;
Bright before it beat the water,
Beat the clear and sunny water,
Beat the shining Big-Sea-Water.
I have a passion for ballad. . . . They are the gypsy children of song, born under green hedgerows in the leafy lanes and bypaths of literature,--in the genial Summertime.
The setting of a great hope is like the setting of the sun. The brightness of our life is gone. Shadows of evening fall around us, and the world seems but a dim reflection - itself a broader shadow. We look forward into the coming lonely night. The soul withdraws into itself. Then stars arise, and the night is holy.
Each day is a branch of the Tree of Life laden heavily with fruit. If we lie down lazily beneath it, we may starve; but if we shake the branches, some of the fruit will fall for us.
I like that ancient Saxon phrase, which calls The burial-ground God's-Acre! It is just; It consecrates each grave within its walls, And breathes a benison o'er the sleeping dust.