Whoever wants his judgment to be believed, should express it coolly and dispassionately; for all vehemence springs from the will. And so the judgment might be attributed to the will and not to knowledge, which by its nature is cold.
There are, first of all, two kinds of authors: those who write for the subject's sake, and those who write for writing's sake. ... The truth is that when an author begins to write for the sake of covering paper, he is cheating the reader; because he writes under the pretext that he has something to say.
There are three stages in the revelation of truth. The first is to be ridiculed, the second is to be resisted and the third is to be considered self-evident.
The composer reveals the innermost nature of the world, and expresses the profoundest wisdom in a language that his reasoning faculty does not understand, just as a magnetic somnambulist gives information about things of which she has no conception when she is awake. Therefore in the composer, more than in any other artist, the man is entirely separate and distinct from the artist.
To truth only a brief celebration of victory is allowed between the two long periods during which it is condemned as paradoxical, or disparaged as trivial.
There is no vice of which a man can be guilty, no meanness, no shabbiness, no unkindness, which excites so much indignation among his contemporaries, friends and neighbours, as his success. This is the one unpardonable crime, which reason cannot defend, nor humility mitigate.
The inexpressible depth of music, so easy to understand and yet so inexplicable, is due to the fact that it reproduces all the emotions of our innermost being, but entirely without reality and remote from its pain… Music expresses only the quintessence of life and its events, never these themselves.
For an author to write as he speaks is just as reprehensible as the opposite fault, to speak as he writes; for this gives a pedantic effect to what he says, and at the same time makes him hardly intelligible.